NATURAL HARMONIC MELODIC MINOR SCALES SERIES

Music that is in a minor key is sometimes described as sounding more solemn, sad, mysterious, or ominous than music that is in a major key. So you canвЂ™t, for example, transpose a piece from C major to D minor (or even to C minor) without changing it a great deal. Music in minor keys has a different sound and emotional feel, and develops differently harmonically. (See Beginning Harmonic Analysis for more on this.) So music that is in, for example, C major, will not sound significantly different from music that is in, say, D major.Д«ut music that is in D minor will have a different quality, because the notes in the minor scale follow a different pattern and so have different relationships with each other. In each major scale, however, the notes are arranged in the same major scale pattern and build the same types of chords that have the same relationships with each other. When ascending, the 6 th and 7 th scale degrees are raised, and when descending they are lowered again.Each major key uses a different set of notes (its major scale).The pitches are different depending on whether the scale is ascending or descending.The semitones of a harmonic minor scale fall between scale degree numbers 2 вЂ“ 3 5 вЂ“ 6 and 7 вЂ“ 8.The seventh degree, or leading note is always raised.The вЂTВЅвЂ™ between the 6 th and 7 th scale degrees create the interval of an augmented second.Follows the interval pattern of: T S T T S TВЅ S.The semitones fall between scale degree numbers 2 вЂ“ 3 and 5 вЂ“ 6.Follows the interval pattern of: T S T T S T T.There are three common minor scales: natural minor, harmonic minor and melodic minor.The melodic minor is often used for melodic passages in order to ease the issues with voice leading that can be caused by the augmented 2 nd in the harmonic minor scale. When the scale is descending the scale degree numbers 6 and 7 are then lowered by a semitone/half step. When the scale is ascending, the scale degree numbers 6 and 7 are raised by a semitone/half step. The melodic minor scale consists of differing ascending and descending patterns. The seventh scale degree, or the leading note, is always raised by a semitone/half step, and it is always notated with an accidental, never in the key signature. The raised seventh degree, creating an augmented second between scale degrees 6 and 7, is what gives the harmonic minor its distinct sound. The semitones of a harmonic minor scale fall between scale degree numbers 2 вЂ“ 3 5 вЂ“ 6 and 7 вЂ“ 8. The harmonic minor scale is defined by the interval pattern: The semitones fall between scale degree numbers 2 вЂ“ 3 and 5 вЂ“ 6. The natural minor scale is defined by the interval pattern: Though they each have different characteristics, tonal pieces in a minor mode will often draw on elements of each of these scales within the same piece. The harmonic and melodic minor scales are based on the natural minor scale but have differing chromatic alterations. The natural minor scale, as its name suggests, is a minor scale in its most natural state (with no alterations).

NATURAL HARMONIC MELODIC MINOR SCALES SERIES

Like major scales, minor scales also consist of a series of seven pitches, organised around a fundamental tonic. There are three common minor scales in use today: the natural minor, the harmonic minor and the melodic minor.

Natural harmonic melodic minor scales